Wednesday, June 30, 2010

On Wednesday, July 14th, Weatherbox will be performing.

Weatherbox is performing at the Drunken Unicorn on Wednesday, July 14th.



Weatherbox is an indie rock band from San Diego, California.
Band Members:
Vocals, Guitar - Brian Warren
Drums - Drew Bent
Bass - wez
Guitar - Andrew Lucia

Weatherbox on Myspace

Baby Baby will be performing second.



There comes a time in every bands life when they must ask their selves “what are we doing?” Yeah we know life gets rough but, it’s the music that makes you want to forget about that sorry stuff. What are we doing? We are playing music!! Music that makes us dance, makes us sing, makes us want to keep playing songs for you with every entangled organ we own. We’ve heard the sad stuff and that just isn’t going to do. Truly ask yourself, look deep inside you and search for the answer… when was the last time you got your face painted? When was the last time you danced to some fun rock, baby? Tomorrow the light bill is due but tonight, without a doubt, we dance.

Baby Baby on Myspace

Evan Andree is opening the show.



Evan Andree was conceived in Florida in 1986 and born there in 1987, literally.

If there are places you don't necessarily want to be, I probably want to be there.

Evan Andree on Myspace

$5 in adv, $8 DOS, 18+
Doors @ 9 pm

Advance tickets available @ Ticket Alternative, Criminal Records,
Decatur CD, Fantasyland Records and the following CD Warehouse locations: Buford, Duluth, Kennesaw, Lawrenceville and Roswell.

Tuesday, June 29, 2010

Steel Train is performing at the Drunken Unicorn on Tuesday, July 13th

Steel Train is headlining on Tuesday, July 13th.



"Much like Southern rock revivalists My Morning Jacket and Kings of Leon, Steel Train take a post-punk approach to the hoary sounds of '70s album-oriented rock. Taking their name from a Bob Marley song, singer Scott Irby-Ranniar and guitarist Jack Antonoff (also a member of Fun) formed Steel Train as a New York busking duo in 1999, two years after Irby-Ranniar originated the role of Young Simba in the Broadway musical The Lion King. Second guitarist Matthew Goldman, bassist Evan Winiker, and drummer Matthias Gruber were soon added to the lineup, and the nascent five-piece signed to Drive Thru Records in 2002, releasing their debut EP For You My Dear early the next year. 2003 also saw the release of 1969, a concept EP of six songs from the titular year by the Jackson 5, Crosby, Stills & Nash, Bob Marley, David Bowie, the Beatles, and Creedence Clearwater Revival. Steel Train's debut full-length, Twilight Tales from the Prairies of the Sun, was released in 2005, featuring several songs about the breakup of Antonoff's relationship with actress Scarlett Johansson. After the resulting tour was completed, Goldman and Gruber left Steel Train and were replaced by guitarist Daniel Silbert and drummer Jon Shiffman. Trampoline, the band's sophomore album and first to feature the revised lineup, was released in October 2007." - Stewart Mason

Set for a June 29th release on the band’s recently created label, Terrible Thrills, STEEL TRAIN is an infectious album, produced by Steven McDonald (Be Your Own Pet, Imperial Teen,) that brilliantly showcases a new level of songwriting and musicianship only hinted at in the band's earlier work. Lead singer and songwriter Jack Antonoff says the album “is a return to where we come from. We grew up playing legion halls and firehouses and the sound systems were always so bad we had to go ape shit to put on a real show, and somehow that inspired the music and lyrics to reflect all that madness.”

Steel Train’s blend of rock n roll, delivered with boundless energy, appeals to fans from all over the musical spectrum. The band’s collection of songs has been praised by Rolling Stone, Spin, Entertainment Weekly, Relix, Esquire, Alternative Press and USA Today, among others, for its huge, exuberant hooks and galloping rhythms set off by a steady attack of guitars and yearning vocals.

STEEL TRAIN is the follow up to the band’s album TRAMPOLINE, which saw the New Jersey natives perform on Late Night with Conan O'Brien and share the stage with The Silversun Pickups, Ben Folds, Gomez and Say Anything, and appear at Bonnaroo and Lollapalooza, to name a few.

Known for their unhinged live shows, Steel Train is already premiering these new songs to fans on the road; they’ve spent most of 2010 touring with Tegan and Sara. The band is looking forward to their Coachella Valley Music and Arts Festival debut and a headlining tour this June.

From the epic opening track BULLET to the edgy TURNPIKE GHOST, from the passionate album rock of BEHAVIOR to the rebellious YOU ARE DANGEROUS, this versatile new album brilliantly shows the strength of a band with a mission and as Antonoff adds “This new record is about getting the fuck out of bed with your mind open to the world - no bitterness. Nothing inspires me more than when I see that in people.”

Steel Train website

Young The Giant are performing second.



Young the Giant’s sound is as uniquely diverse and eclectic as its five members. Sameer Gadhia, Payam Doostzadeh, Jacob Tilley, Francois Comtois and Eric Cannata hail from, surprisingly, Newport Beach, California. An assembly of international names and assorted backgrounds that combine to produce a refreshing brand of sun soaked Indie rock. With lush experimental compositions complimented by subtle yet infectious pop hooks and unique, soothing vocals, it is a sound all their own.

Predominantly comprised of teenagers, the five piece delivers mature arrangements far beyond their years. As high school students they conquered the local Orange County music scene winning awards and praise, quickly developing momentum that was soon challenged by their new college lives. At 5 different schools, divided by hundreds of miles of the California coast, the band persisted, continuing to play shows and write new music for their EP Shake My Hand.

With the release of Shake My Hand came the new and unexpected challenge of keeping up with the demands of critical and popular acclaim.With their single Cough Syrup becoming a local favorite on KROQ, and strong web chatter from sites like absolute punk who claimedthe EP was a “Slick set of rock songs… that for all of its cocksure maturity and tight, catchy production, can easily be confused with a veteran stadium show”, the praise was reaching much further than the shores of Newport Beach.

In early 2009 the band decided to leave their textbooks at school and hit the road throughout California to a growing following from San Francisco to San Diego. In a few months they went from playing smaller coffeehouses and clubs to headlining a packed House of Blues in Anaheim. In between they showcased at SXSW and opened for Ghostland Observatory, The Whigs, and Kings of Leon.

Currently the band is working on their first full length album with Grammy winning producer Joe Chicarelli (The White Stripes, My Morning Jacket, The Shins) to be released on Roadrunner Records in 2010.

Young The Giant website

Rachel Goodrich is opening.



hello. i'm rachel goodrich. i am a songwriter. i write songs. i sing..... and play guitar and other instruments ........like....... keys, uke,kazoo,harm oni ca,ja wharp,recorder,xyl ophone, ban jo,man dolin,spoons, pots,pans .........and with that......... i make music.

Rachel Goodrich website

$10 in adv, $12 DOS, ALL AGES
DOORS @ 7 PM. THIS SHOW WILL BE OVER BY 12 AM!

Advance tickets available @ Ticket Alternative, Criminal Records,
Decatur CD, Fantasyland Records and the following CD Warehouse locations: Buford, Duluth, Kennesaw, Lawrenceville and Roswell.

Saturday, June 26, 2010

Come to the Drunken Unicorn on Saturday July 10th for The Orphins!

The Orphins will be headlining the Drunken Unicorn on Saturday, July 10th



The Orphins formed around 99, but didn't settle on their current lineup until around 2001. Their first EP/Demo was self released in 2001, followed by a Split"7 with fellow Atlanta band The Liverhearts. In May of 2004, The Orphins released their first full length titled "Drowning Cupid" on Goodnight Records, and followed it up with a short tour of the east coast. The Orphins are currently playing shows around Atlanta and supporting their newly release "Wish You Well" CD!

We love you!! And yes, we probably want to play with your band or at your house show. Please write to thomas@theorphins.com or send us a message on MySpace and we'll see if we can do it.

The Orphins on Myspace

Venice Is Sinking will be performing second.



In early 2008, Venice is Sinking was loading out after a show at Athens, GA’s Georgia Theatre when the Theatre’s owner, Wilmot “Wil” Greene, approached them. Wil liked the way Venice is Sinking’s atmospheric dream-pop worked in congruence with his wide open art deco theater, and he had a unique proposition for the group: record an album at the Georgia Theatre, onstage with minimal production adornment. It sounded like a fine idea, but it also sounded like late-night talk, so the band put it out of their minds and went back to finishing up their second album, AZAR.

Months passed. And then, out of nowhere, Wil came back with news that he had set aside the time for the sessions and hired a producer. In addition, he and Venice is Sinking developed strong ideas/constraints on how the whole enterprise was going to go down: The album would be recorded live, with no overdubs. It would be recorded with only one microphone like the Cowboy Junkies did on The Trinity Sessions (the number of mics was later upgraded to two Calrec Soundfield stereo mics). Finally, the record would be mixed directly to 1/4” tape with no post hoc editing, splicing, or manipulation other than mastering. When it was done it was done.

The self-imposed constraints would be a challenge for Venice is Sinking, but these sessions also represented a one-of-a-kind opportunity. Wil contracted David Barbe (Drive-By Truckers, Sugar) to oversee and engineer the session; Andy Lemaster (Bright Eyes, Now It’s Overhead) helped out for a few songs. Venice sprung into action, writing new songs for the sessions, hammering out a few road-tested covers (songs by Galaxie 500, Dolly Parton, and Waylon Jennings make an appearance), and corralling some songs that didn’t fit on its first two LPs. The band roped in a new bass player, Jeremy Sellers, for a trial by fire, and then recruited many denizens of Athens’ music scene for guest appearances. The Georgia Theatre became the group’s practice space as they worked non-stop to get back to fighting weight, so to speak. And finally when the recording came, the band banged it out, mostly at night, take after take after red-eyed take. If any one person really messed things up, it was rewind and start again, navigating mic placement, sonic anomalies, and all. Cajoled by Barbe’s indefatigable good spirits, Venice is Sinking finally came up for air four days and nights later, album in hand. The setting, the recording constraints, and the live performance all coalesce into the band’s most unique release. The Theatre affords Sand & Lines an eerie spaciousness, and the music balloons outward, dissipating in the rafters. In fact, the Theatre often acts as another band member, warping the sounds to its own spatial idiosyncrasies. The album is dynamic, not exactly a live record (no audience, no clapping, no “sweetening”), but not a studio recording either. The songs themselves find the band expanding into territory twangier and poppier than any of its previous output. The band’s most open-hearted and vulnerable work, Sand & Lines is an experiment (if not exactly experimental), 10 songs recorded live with two mics, presented in the order of their recording, the document of the sound of a beautiful space that doesn’t exist anymore.

On June 19, 2009, with Wilmot Greene and members of Venice is Sinking helplessly watching, the historic Georgia Theatre was gutted by a fire. Within a few hours, the venerable downtown heart of the Athens music scene—which had played host to shows from REM, Pylon, Widespread Panic, and so many more—collapsed in on itself. It was another shot to the tight-knit scene in a year that oversaw the deaths of so many Athens musicians. Ironically, the band had just launched a Kickstarter.com fundraiser to raise money to put out this very record. Venice is Sinking quickly decided that all of the money should go back to Wil and the Theatre crew to help them recover and rebuild. The Kickstarter.com campaign was successful, and all of the proceeds from Sand & Lines will go to the Theatre. Meanwhile, the Georgia Theatre has entered the rebuilding phase and hopes to be open by early 2011. Donations are being accepted at the Georgia Theatre’s website:

Georgia Theatre Website

Venice is Sinking will tour behind Sand & Lines, including appearances at various SXSW 2010 events. The band has added a trumpet player, Aaron Esposito, to their lineup, though he might not know that yet.

Venice Is Sinking website

The Caribbean is opening.



The Caribbean. Shadowy quintet (perhaps trio?) draped in velvet enigma. Or maybe just Steely Dan on a light-beer budget, faceless contributors scattered hither and yon, submitting stealthy sonic fragments via telephone transmissions and paper-airplane parachute drops. Descended from primo D.C. agitpop, old-school division. Certainly of the Dischord tribe (see: the flip attitude of the Make-Up or Jawbox's raw edge). But also Eggs. And Tsunami. The coy pop-culture savvy of Unrest (witness witty wordplay on “Annunciator Zone”: “All those great Chicago bands like King Crimson and Kraftwerk or that one that sounds like Tortoise”). Third albums. The landscape littered with the bleached skeletons of Zen Arcade and Zenyatta Mondatta. Third. Or even III. But this—History's First Know-It-All—is knowing. Cynical, yet naively hopeful. Apropos of crushed feelings. Household appliances. Class of ‘83, UCLA. All lovingly rendered in illegible, handwritten scribble-scrawl and plunked down erect beside sounds both found (celery crunching) and created (piano backdrops, drum stutters, nylon-stringed guitar webs). Glorious eclecticism or hipster fence-straddling? More the former than latter. Purposefully arcane and brainy-sounding hangtags: “Fresh Out Of Travel Agent School.” “It's Unlikely To Settle The Difference.” (Todd Rundgren fans, in this day and age? Why not?) The verdict: difficult but rewarding, albeit in that William Carlos Williams kind of way. So much depends upon/A third longplayer/Glazed with dour postures/Beside the white women.
--Magnet

The Caribbean website

$5, 21+
Doors @ 9 pm

Friday, June 25, 2010

Performer Magazine Presents Sons Of Tonatiuh record release show on Friday, July 9th

Performer Magazine presents Sons Of Tonatiuh debut full length LP release show at the Drunken Unicorn on Friday, July 9th.



Sons of Tonatiuh was conceived on 4/25/08 in a ditch by the side of a dirt road. The concept behind SOT consists of recognizing where we as a human race came from, what it means to be immortal, and how important it is to understand the history of the native world.

Here's the breakdown.... Sons of Tonatiuh is currently composed of Dan (ex-Leechmilk), Mike (ex-Fell A Victim), Darby (Noble Rust/Whiskey Shit Vomit), and Tim. Back in Aug of '08 Mike Longoria (Withered) recorded our first four song demo. In March of '09 SOT did a 1 week tour up the East coast and then in Sept of '09 we did a 2 week tour out to the West coast and back. Between March 13-15th of 2010, we recorded 8 songs over at the Jam Room in Columbia SC with Jay Matheson behind the slaying board. Limited pressing of 500 12" vinyl has been released as of May 2010.

Sons Of Tonatiuh on Myspace

Whores are playing second.



Rock is dead. Indie rock has been taken over by hippie "collectives." Punk is a fucking joke anymore. Post-rock disappeared inside its own ass after Slint. The only relevant music nowadays is hip-hop and ring-tones. But we can't rap and no one ever calls us. So we started a noise rock band. Enjoy.

"Bearing witness to a WHORES show is like being crushed under the tread of a Panzer tank as it charges into battle." -Creative Loafing, Critics Pick: Best of Atlanta 2009 "Next to the stage was Whores, who—I’ll just come out and say it—are the best band in Atlanta right now. Don’t argue with me; just accept it. The trio’s mix of ferocious power, jaw-dropping technical precision, and rhythmic melodicism is just too ferocious, too talented, too goddamn awesome to be denied...It’s breathtaking just how loud and epically primal these guys are." -Latest Disgrace

Whores on Myspace

The Unbeheld are opening.



Unbeheld and a combine a mix of grimey Blues, balls-out Rock and blistering Black Metal.
- Heavy Planet Stoner Rock Blog

THIS ISNT WIKKED SIKK PORNGRINDBORE!!!!!!!!!I think Singer SOunds goud...Gaytar player is gooder tood...that drum guys is way ons time wiht the programming....ME THINK BASS PLAYERS HOOTS LIGKINTING FROM HIS STRINKSS>>>..VERY SIKZ SVERYY FUCK>>>>HAILZZZ SAITAIN!!!!!
- Rocky Cockson

The Unbeheld hail from Memphis, Tennessee. The guitar work really caught my ear on this one. Some pretty sweet blues playing, and then on the other hand, it goes right into some serious riffage. I like the singing, too. Nice chugga-chug-chug crunchy guitar goodness on the track 'Salt Liquor'. This band is alright in my book of sludgy/southern/stoner rock. I'm thinking that this band kicks ass live on stage.
- Sludge Swamp

The Unbeheld on Myspace

$6, 18+
Doors @ 9 pm

Thursday, June 24, 2010

Thy Mighty Contract are returning to the Drunken Unicorn on Thursday, July 8th

Thy Mighty Contract are headlining the Drunken Unicorn on Thursday, July 8th



"an arty indie rock band, whose main influence is Emperor"

Thy Mighty Contract on Myspace

Charges are performing second.



Mick and Joel reconnected in the summer of 09 outside of Beep Beep Gallery at a Thy Mighty Contract show. (Nearly four years earlier they toured the UK and Ireland together in the hardcore punk band Black Cougar Shock Unit.) Later that night, Casey joined them at The EARL and, over many pints, a common affinity for Farfisa organ punk provided the spark to start a new band. Casey brought Luci along at the first rehearsal and he's been a fixture from the start. Thomas serendipitously broke a string while tuning Mick's piano and subsequent rock talks lead to an invite to join the group.

Mick most recently played in Early Modern Witch Trials.
Joel plays in 40 Hells.
Casey and Luci play in Authors Apology.

Charges on Myspace

What Happened To Your Fire Tiger? are starting the show.



"While the group innovates with smart lyrics, sleek guitar effects and constant Rhodes piano rolls, I found myself propelled into one of my favorite eras of music–the dark trip hop of Portishead, evoking images of bars frequented by Buffy the Vampire Slayer. Pianist Hilary Yarbrough stood out most to me, contorting her legs, leaning, winding up and down the keys while often singing simultaneously–sometimes lead, other times complementing bassist Carrie Hodge’s equally ethereal coos. In addition to her musical talent, I admire Hilary’s wardrobe sense, coveting the royal blue mary janes she used to lightly stomp the floor, wooden heels providing the perfect color contrast. I also want to know where she scored her fashionably faded black dress, dotted with supernova bursts, accentuated with a red belt.

Corey Pallon also proved fun to watch, pounding his drums while chewing a piece of gum, bubble-blowing enhancing his forceful flow." - Bobbin Wages

What Happened To Your Fire Tiger on Myspace

$5, 21+
Doors @ 9 pm