Wild Nothing is the solo project of Virginia born Jack Tatum, who’s music is the product of an unhealthy obsession with nostalgia. Equal parts teenage wasteland and inexplicable regret, his songs are the kind that could only be made by the young at heart. Unlike the current herd of one-man bedroom bands, Tatum creates complex textural environments that aim for something higher. Melodies that yearn to stay with you. Warped interpretations of Johnny Marr’s guitar work and The Cure’s careful synth arrangements. Dreamy, catchy, and intriguing. Here’s to missing your youth.
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Those who clocked Abe Vigoda’s transition from 2006’s debut Kid City to 2008’s startling tropical-punk “Skeleton” should know the LA quartet aren’t ones for repeating themselves. To Skeleton’s hot-hot-hot template, they now add glassy shards of ‘cold wave’ pop, with synthesisers, sequencers and altogether broodier beats. Scorching temperatures, icy currents... CRUSH is a thermal column of vertiginous brilliance!But let’s not get bogged down in categories. Just as Skeleton was difficult to define, Crush is a similar collision of sound, another helter-skelter joy ride through four boys’ private party. Even so, there was a thought process behind this new surge. In 2009 Dane Chadwick replaced drummer Reggie Guerro, introducing a new style of regimented beats as well as other musical ideas to the table. “More than just rhythmically, Dane helped with melodies and most of the electronics on the album,” says vocalist Michael Vidal.
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Roman Photos have crafted a sound that is by turn a romantic yet urban blend of various kinds of electronic music. Taking cues from genres like disco, synth-pop, techno and trip-hop, they bring emotion to a genre more known for atmospheres and rhythm.
“Here’s what’s cool about this: the wistful vocals that float effortlessly above the music, the buzzing density of the entire song, the warm thump drawn out from minimal techno and into a more rock-based world. “Decline” works because of its low-key unpretentious aspirations. It could easily be just another hazy dance track in a year full of hazy dance tracks, but the attention to detail—the little key pings and surprisingly confident vocals make it stand out.” –The Fader
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$10, 18+
Doors @ 9 pm
Advance tickets available @ Ticket Alternative, Criminal Records,
Decatur CD, Fantasyland Records and the following CD Warehouse locations: Buford, Duluth, Kennesaw, Lawrenceville and Roswell.
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