When Budapest’s THE MOOG started to play music, they had no idea that they were about to set off on a journey that would eventually whisk them far across the seas, release them into a whirlwind of rock ‘n’ roll and land them on America’s doorstep as one of the first Hungarian rock bands signed to an American label. THE MOOG are an explosive combination of alternative rock, 60s garage, and art punk/pop made unique by the band’s catchy Eastern European rock ‘n roll touch.
The new single, “You Raised A Vampire” is being released on 7" clear gold vinyl and is the ultimate garage-goth dance rocker for the 21st Century, with its dramatic interplay of theatrical vocals, Moog synthesizer hooks, double-picked electric guitars and disco-infused hi-hat and drum action. The song is an ode to romantic love with vampiric aspirations and re-introduces The Moog to the world as the premier rock band from Eastern Europe.
If the A-side doesn't leave a deep bite mark in the neck of the current rock scene, how about a Bauhaus classic for the B-side? THE MOOG sinks their teeth into “The Passion Of Lovers” – the UK band’s 1981 gem - and make it their own. Their arrangement so impressed Bauhaus/Love & Rockets bassist/vocalist David J that he joined in and added backing vocals, bass harmonica, and the stamp of art-rock authenticity that only an original Bauhaus member can provide.
The Moog's Website
The beauty behind The Photo Atlas is the brotherhood that encompasses the band. It was this relationship that was the adhesive behind the massive sound on their most recent EP "To Silently Provoke The Ghost." 2009. The group’s music blends the angularity and drive of Fugazi, the gut-punch of At The Drive-In and the infectiousness of The Faint all into one explosive little package
The Photo Atlas's dynamic indie dance rock tracks are coated with vital melodies, explosive guitar riffs and demanding drum beats, which bring a sense of movement to each song. The Photo Atlas have been keeping busy since their previous album release "No, Not Me, Never"2008 playing festivals such as the Monolith Festival,as well as the Mile High Festival, Warped Tour, SXSW, CMJ, and XGAMES. The Photo Atlas have kept a rigorous touring schedule playing over 200 shows in 2008 and touring with the likes of The Bravery, Portugal.The Man, and Scary Kids Scaring Kids.
The band recently celebrated the release of a split EP "Friendship EP" with fellow denver band The Epilogues and are gearing up to record a 2nd full length record.
"The Photo Altas is the result of uprotected sex between The Faint and At The Drive-In, although The Photo Atlas don’t sound derivative of either." - Alternative Press
"one of twenty-two underground bands that likely won't stay underground for long." Alternative Press
"The Photo Atlas sports an aggressive indie punk sound... a frenetic Brit rock dance punk amalgam, a blazing cross between Fugazi and Gang of Four." - Amplifier
"The Photo Atlas are getting better with every release. Their mixture of Faint hyperactivity and pop choruses has truly blossomed since No, Not Me, Never." -Absolute Punk
"Sharp-edged post-punk a la Franz Ferdinand and The Rapture is at its most vulnerable in the Photo Atlas." - ABC News
"sounds like the love child of Ima Robot and The Used. No, Not Me, Never is fused frazzled guitars."-Spin.com
"stinging post-punk powered by racing dance rhythms"-CMJ
The Photo Atlas on Myspace
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The best artists have always torn up boundaries of genre and style, bridging musical realms to create a sound uniquely their own. On their new album, Why Can’t We Have Fun, Debutaunts, the Atlanta based quartet, take the smarts and edge of the underground and drop them in infectious, powerful and undeniable songs that immediately distinguish the band as one of the few that can marry progressive and pop successfully.
Why Can’t We Have Fun resonates with a sense of a band coming into its own and discovering just what it's capable of doing. Inspired by everything from 60’s pop-rock to new-wave and dance, the album is a result of the band’s increased commitment to their craft, a commitment that has seen the band relocate from Florida to Atlanta, leaving their lives in Florida behind to concentrate solely on their music.
Formed in 2006 when lead singer and guitarist Jazek found Jonny Shupert (guitar, vocals) and Stephen Santana (drums) (with bassist Jeff Margaritondo joining later), the band set its sights high from the beginning. Jazek says, “We’ve always wanted to be our own sound. I don’t even consider us influenced by any artists – rather, we take the inspiration we get from great music and artists to create our own thing. That’s what we’ve always done.”
That inspiration comes in many forms. From the Beatles to the Smiths and Stone Roses, to Madonna and Prince to David Bowie and the Beach Boys, it’s clear that the band is inspired by both edge and beauty, which informs the best of its music.
Taking on the work of a DIY band, Debutaunts spent their first couple of years touring up and down the east coast, developing themselves and honing their skills as a live band. During those travels, the band crossed paths with Atlanta-based, grammy-nominated, Platinum-record producer Matt Goldman, who the band saw immediately as a kindred spirit. Jazek explains, “We met with a lot of producers, but Matt really was on point and down to earth. And he’s super innovative in the studio, which is essential for us.”
The first result of the band’s collaboration with Goldman was 2008’s Flowers From Evil EP, which drew plaudits and expanded their fan base. The band, restless and determined to keep creating anew, began writing for a full-length album immediately. “After we did Flowers From Evil,” recalls Jonny, “we were proud of it, but once we were done with it, we were over it. We were listening to a lot of 60’s pop and Motown, and remembered that you can be commercial without being terrible. That inspired us for the next four to five months of songwriting.”
Working again with Matt Goldman, Why Can’t We Have Fun showcases the leap in both songwriting and craftsmanship that is the result of their total dedication to their music. “As Long As You Want Me” pulses with a slinky synth riff that speaks to the band’s modernity, but Jazek’s vocals are melodically seductive in the way that the greatest pop/rock has always been. “Who Could Have Lost You” speaks to the bands inventiveness, with a shimmering string quartet complementing the band as it plays in waltz time. On “Principles,” Jonny gets to display a whole other weapon in the bands arsenal when he takes on lead vocals.
The band is taking advantage of the multi-media tools available to promote the album in their own special way. Jazek declares, “We’re promoting the album as song at a time; every two weeks we’re releasing new content around each track – new video, new photos and more.” Summer and Fall of 2010 will see the band hit the road to make their new songs come alive in front of an audience.
Ultimately, Debutaunts have made an album that has showcased their talent, growth and their immense progression as a band. “We’re so proud of the album,” says Jazek. “Everything about it is a breakthrough.” He concludes by saying, “As soon as we met we knew we had to do music. Everything else fell apart – nothing else mattered. Now more than ever, we’re dedicated to exposing as many people as possible to our love affair with music.” That dedication is abundantly clear in every note of Why Can’t We Have Fun, music that bridges the gap of the subversive underground and the mass appeal of pop; music that promises to crack the Debutaunts future wide open in 2010.
The Debutaunt's website
$8 in adv, $10 DOS - ALL AGES - advance tickets available @ Ticket Alternative
Doors @ 8 pm, show over by 12 AM!
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